Panorama Mixing & Mastering - Melbourne, Australia

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How much do mixing engineers charge?

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Project Management
Production
Budgeting

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Mixing engineer's typically price their services in one of three ways;

  1. Hourly Rate.

    • Hourly rate's are attractive up-front for a buyer; because the $ tag typically looks less at face value. However hourly rates don't set provide a guaranteed ceiling to the cost of the project.

  2. Set Rate.

    • Set rates, are the typical go-to for many mixing engineers, this is great for artists, labels and producers looking to cost projects upfront as they know the $ tag on the end of a project. Be weary of what revisions are included and if additional services cost extra.

  3. Project Rate.

    • Project Rates, this is my favorite; mainly because it's how I cost projects, but also it gives projects flexibility; being able to cost for the material at hand means; each project is priced based on its merits. An acoustic with one guitar and a solo vocalist, will be priced and approached differently to a full pop production requiring additional vocal editing, comping, and multiple versions printed for release.



So you might now be wondering what should I look for and expect to spend in a mixing engineer?

  • Junior Mixing Engineer

    • $30-50 an hour

    • $150-250 a mix

    • Knows their tools well.

    • Understands basic mixing principles.

    • Can Identify pain points of a production early on.

    • In a portfolio/reel I like to see experience of RELEASED material.

  • Professional Mixing Engineer

    • $50-$150 an hour

    • $350-800 a mix

    • Fast Execution & Iterations (Keep to deadlines/timeline)

    • Consistent experience/track record of releases

    • Pedigree of work resembles their price.

    • Has a network and connections available for when a project needs extra hands. e.g mastering, editing, tuning, specialist skills.

  • Top Tier Mixing Engineer

    • $1.5k, 2k, 3k, 4k, 5k +

    • Problem Solver

    • They may have a team which supports them.

    • Can fluently navigate problem areas of a production

    • Consistent working relationships with other producers

    • Consistent successful releases in their folio.